星期日, 三月 18, 2012

(modification)Chinese film-The ethos and film censorship of Chinese film


劉品圻Audrey李紫婷Fanny詹雅祈Yuki謝宇綸Allen張艾迪Eddy

Title: Chinese film- The ethos and film censorship of Chinese film

     After the “cultural revolution”, the Chinese film had a serious cultural shock. Not only has the subject they could product been limited, but also had their film a serious influence by politics. In 1978 years, it was not until Chinese government opened the innovation up that the directors returned to engage normal creation about humanity regress and arts. From 1980’s to 1990’s, the development of Chinese film had been limited seriously because some subject which give a expression to the dark of the Chinese Communist Party couldn’t pass the film censorship. And it causes some of underground director to produce.     
     After the regress of Hong-Kong, the Hong-Kong film industry has a effect to the these Chinese directors and actors because of its developing. These commercial film which are invested together with Hong-Kong become the mainstream of Chinese film in the last 1990’s.


                                                        1.1964~1977年 文革時期電影發展

              2.1977~1980年 後文革到改革開放電影發展  
3.改革開放後新興導演與電檢制度
        4.中港合資之商業電影與電檢制度同化

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