星期一, 四月 16, 2007

ScreenPlay

My most impressive screenplay in the film is this one:


But sorry the muses did not sing in me when I did draw this thing...
It's the scene that the man and his exwife are talking about getting back together,
with a very... "post-modern" scenery, the city that's being torn down, in the back.
The scene that sees through the window to the urban lanscape reminds a similar scene in "Boys from Fengkuei".

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