a) thought after Stanley Kwan's Gender in Chinese Cinema
mascunility, femaininity?
class, nationalistic, (post-) colonial, postmodernity
fatherhood, inter-generational
new waves, old cinema
filmography, film and historiography
b) Sock 'n' Roll (台灣黑狗兄)
documentary filmmaking
globalization, cultural politics
Michael Moore, CNEX,
c) UDN programs
Chinese cinema market, TV drama
d) film and CS, political economy
theory-based
action-oriented
subjectivity-reposited
auteur-director, other filmmakers?
aesthetic analysis, semiotics
genre, narrative
gender/ sexuality
mise-en-scene/
inter-art film shooting? meta-cinema
painting, calligraphy, theatre, dance
industry, production, distribution, exhibition
policy, subsidy, censorship
capital flow
jew/ arab
catholic codes
cinematic city/ shooting locations
HK, landmarks
postmodern/postcolonial
memory, trauma, sites, media
films on CS
Sut Jhally (media education foundation)
Black Skin, White Mask (Fanon)
